Post by + JAMIE on Apr 11, 2021 4:28:28 GMT -8
Anarchy turning into something worse: uncertainty.
Storm the castle? Overthrow the government? Defeat evil? Become the hero?
Sure. Fine. Good. OK.
What next?
Diana the archetype of a hero: she never thought things through. Minerva too genre-savvy for her own good: overthinking everything. And then Chrys. Thinking just enough to see where things were heading. Just enough to reach the higher ground. To join the right team. To make the right excuses. To back up into his pillow fort until only his eyeballs were showing. Large. Unblinking. Gold. Darting between his sisters.
Diana: confused. Blind-sided. Ashamed. Obvious she had no idea what had happened. Where she had crossed the line. That there had been a line to cross. Out of touch with her own emotional reaction: the condescension, Chrys could handle. Her stunted emotional maturity come to play. But Minerva? Minerva had never liked it. Stung her pride. So she stung back.
With venom.
In the safety of his fort: she had a point. Diana's one great talent: steam-rolling. Chrys didn't mind. Went along with it. Easy and safe. Saved him the mental effort of making up stories himself. Of putting effort (at all) into things. If he didn't like it? He wouldn't do it. But mostly? He didn't care. More important: hanging out with his sisters. Being close to them. Being included. Also, he was a mama's boy. No need to fight for his father's affection: he had mom. (Not sure why Minerva was so bothered by it. Dad too bony for cuddles. Ouch.)
But. Minerva had a point. Points. Ones that never bothered Chrys like they bothered her. Still: valid. Diana pushed too far. Always. It was who she was. Just like Minnie couldn't take these things lying down. It was who she was, too. And dad's blatant favoritism. And mom's constant low-level worry. Just who they were. Take it or leave it. Drag them to Jesus for it. Don't be upset if conversion doesn't take.
(Chrys was proud of his philosophical attitude towards it all.)
But he was also who he was. And he got upset seeing his sisters upset. Oh: better at hiding it than them. For sure. Would get better with time. Repression a key feature of his character. So here's another key feature. A surprise-in-waiting. A shocking reality.
Chrys is the most emotional of them all. Just have to wind him up. Twist the key until it stops. Twist it one revolution more.
You won't believe what happens next!
DELAWARE [:ripples:]
Storm the castle? Overthrow the government? Defeat evil? Become the hero?
Sure. Fine. Good. OK.
What next?
Diana the archetype of a hero: she never thought things through. Minerva too genre-savvy for her own good: overthinking everything. And then Chrys. Thinking just enough to see where things were heading. Just enough to reach the higher ground. To join the right team. To make the right excuses. To back up into his pillow fort until only his eyeballs were showing. Large. Unblinking. Gold. Darting between his sisters.
Diana: confused. Blind-sided. Ashamed. Obvious she had no idea what had happened. Where she had crossed the line. That there had been a line to cross. Out of touch with her own emotional reaction: the condescension, Chrys could handle. Her stunted emotional maturity come to play. But Minerva? Minerva had never liked it. Stung her pride. So she stung back.
With venom.
In the safety of his fort: she had a point. Diana's one great talent: steam-rolling. Chrys didn't mind. Went along with it. Easy and safe. Saved him the mental effort of making up stories himself. Of putting effort (at all) into things. If he didn't like it? He wouldn't do it. But mostly? He didn't care. More important: hanging out with his sisters. Being close to them. Being included. Also, he was a mama's boy. No need to fight for his father's affection: he had mom. (Not sure why Minerva was so bothered by it. Dad too bony for cuddles. Ouch.)
But. Minerva had a point. Points. Ones that never bothered Chrys like they bothered her. Still: valid. Diana pushed too far. Always. It was who she was. Just like Minnie couldn't take these things lying down. It was who she was, too. And dad's blatant favoritism. And mom's constant low-level worry. Just who they were. Take it or leave it. Drag them to Jesus for it. Don't be upset if conversion doesn't take.
(Chrys was proud of his philosophical attitude towards it all.)
But he was also who he was. And he got upset seeing his sisters upset. Oh: better at hiding it than them. For sure. Would get better with time. Repression a key feature of his character. So here's another key feature. A surprise-in-waiting. A shocking reality.
Chrys is the most emotional of them all. Just have to wind him up. Twist the key until it stops. Twist it one revolution more.
You won't believe what happens next!
DELAWARE [:ripples:]